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Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I and then to Italy, where he had the chance to get to know the old masters.
Sir Anthony van Dyck (/ v æ n ˈ d aɪ k /; Dutch: Antoon van Dyck [ˈɑntoːɱ vɑn ˈdɛik]; [a] 22 March 1599 – 9 December 1641) [3] was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
Lord John Stuart and His Brother, Lord Bernard Stuart is a large oil painting by Anthony van Dyck, executed c. 1638.The life-size double portrait depicts the two youngest sons of Esmé Stewart, 3rd Duke of Lennox: Lord John Stewart (1621–1644) and Lord Bernard Stuart (1622–1645), aged about 17 and 16 respectively.
Earlier 1635 painting with both Prince Charles and Prince James wearing skirts. In 1635 Van Dyck had painted a portrait of the same three children, which was intended to be sent to the Queen's sister Christina, in exchange for portraits of the Duchess's children. However, the King was angry with Van Dyck for showing Prince Charles wearing ...
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 [1] by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. [2]
The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.
The Resurrection (1631-1632) by Anthony van Dyck. The Resurrection is an oil on canvas painting completed in 1631 - 1632 by Anthony van Dyck, now in the Wadsworth Atheneum, in Hartford, Connecticut. Experts date the painting to Van Dyck's second Antwerp period, around 1627‐32. [1] The painting depicts the emergence of Christ from the tomb.
Prime version of van Dyck's first equestrian painting of Charles I, Charles I with M. de St Antoine, 1633 Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.