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The show continued the format originated by Ebert and Gene Siskel on their first show, Sneak Previews, and continued on At the Movies with Gene Siskel and Roger Ebert and At the Movies, [1] in which two film critics discuss the week's new releases. Occasionally, the program aired special theme episodes, such as one listing the hosts' favorite ...
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
[28] [29] Originally retaining the Siskel & Ebert title, the program was renamed Roger Ebert & the Movies on the weekend of September 4–5, 1999, after Siskel's death. The guests matched wits with Ebert and tested their chemistry. Ebert and film director Martin Scorsese co-hosted one noteworthy episode about the best films of the 1990s. [30]
At the Movies (also known as At the Movies with Gene Siskel and Roger Ebert) is an American movie review television program that aired from 1982 to 1990. It was produced by Tribune Entertainment and was created by Gene Siskel and Roger Ebert when they left their show Sneak Previews, which they began on Chicago's PBS station, WTTW, in 1975.
The film met with positive reviews and was a box office success. [17] In the same year, Lopez also lent her voice to the animated film Antz. The psychological thriller The Cell was ranked by Roger Ebert among his top-ten films of the year 2000. [18] It grossed over $100 million worldwide and reached No. 1 at the domestic box office.
Roger Ebert, film critic for the Chicago Sun-Times for nearly half a century, and a game-changing television presenter, died Thursday at the age of 70. Ebert had been in ill health for some time.
Film critic Roger Ebert called this movie, about a sharecropper family in 1933 Louisiana, "one of the most compassionate and truthful of movies, and there's not a level where it doesn't succeed ...
The Village Voice ranked The Decalogue at No. 112 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics. [20] In January 2002, the film was listed among the Top 100 "Essential Films" of all time by the National Society of Film Critics. [21] The film ranked #36 in Empire magazine's "The 100 Best Films of World ...