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"God's child in Christ adopted,—Christ my all,—" 1833 1834 Epitaph. "Stop, Christian passer-by!—Stop, child of God," 1833, November 9 1834 An Apology for Spencers "Said William to Edmund I can't guess the reason" 1796, March 21 1796, March 25 Epigram On a Late Marriage between an Old Maid and French Petit Maître
It was published in a pamphlet in 1816, alongside Kubla Khan and The Pains of Sleep. Coleridge wrote Christabel using an accentual metrical system, based on the count of only accents: even though the number of syllables in each line can vary from four to twelve, the number of accents per line rarely deviates from four.
Coleridge attended the school Christ's Hospital, and he was often at the sanatorium for illness while there.The poems "Pain", "A Few Lines" and "Genevieve" were written during his final year, but he experienced various illnesses during his stay that were the result of either chronic illness or illnesses resulting from his own actions, including swimming across the New River which resulted in ...
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
The sleep of this story is said by Coleridge to be a sleep of opium, and Kubla Khan may be read as an early poetic description of this drug experience. The fact that the poem is generally regarded as one of Coleridge's best is one reason for the continuing interest and debate about the opium's role in his creative output and in Romanticism in ...
Samuel Taylor Coleridge (/ ˈ k oʊ l ə r ɪ dʒ / KOH-lə-rij; [1] 21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth.
For Coleridge, as for many of his romantic contemporaries, the idea that matter itself can beget life only dealt with the various changes in the arrangement of particles and did not explain life itself as a principle or power that lay behind the material manifestations, natura naturans or "the productive power suspended and, as it were, quenched in the product" Until this was addressed ...
In 1981, David Aers, Jonathan Cook, and David Punter view Religious Musings in terms of Coleridge's other political poems and claim, "Although the position arrived at by the end of 'France: an Ode' is recognisably different from, and, in an important sense, more decisive than the awkward social engagement of 'Religious Musings', the two poems ...