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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Often, a signature song will feature significant characteristics of an artist and may encapsulate the artist's particular sound and style. Signature songs can be the result of spontaneous public identification, or a marketing tool developed by the music industry to promote artists, sell their recordings, and develop a fan base. [1]
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The third movement uses two different key signatures for each hand. [20] Alfred Reed. A Festival Prelude [citation needed] Julius Röntgen. Symphony No. 9 "The Bitonal" (Sept 8, 1930) [21] Arnold Schoenberg "Gavotte", Suite for Piano Op. 25 (1923) [22] William Schuman. George Washington Bridge [23] Igor Stravinsky [18] Petrushka, opening ...
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The following list includes only motifs which are known to have been used in published works. A, B, E, B, A; for Aubrey Brain, used in Gordon Jacob's Sextet for Piano and Winds, which was inscribed "In memoriam Aubrey Brain" A, B ♭, B ♮, F (= A, B, H, F) for Alban Berg and Hanna Fuchs-Robettin (A. B. and H. F.), used in Berg's Lyric Suite [22]
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