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Come Down, O Love Divine; Come, Holy Ghost; Come, Lord, and Tarry Not; Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful, Raise the Strain; Comfort, Comfort Ye My People; Conditor alme siderum; Creator of the Earth and Skies; Creator Spirit, By Whose ...
Cheers to you, my heavenly brother. Happy birthday. 62. To my brother watching over me from heaven, I send my warmest birthday wishes. Your laughter, love, and kindness are forever etched in my heart.
"I Could Sing of Your Love Forever" is a popular Christian rock and worship song by the English contemporary Christian band Delirious?. The song's popularity has reached far beyond the band's; CCLI places the song among the 30 most-sung worship songs in the United States [ 1 ] and has been called a "modern worship classic". [ 2 ]
"The Lord's Prayer" is a pop rock setting of the Lord's Prayer with music by Arnold Strals recorded in 1973 by the Australian nun Sister Janet Mead. [ 1 ] [ 2 ] Mead was known for pioneering the use of contemporary rock music in celebrating the Roman Catholic Mass and for her weekly radio programs.
You came from heaven to earth, to show the way From the earth to the cross, my debt to pay From the cross to the grave, from the grave to the sky Lord I lift your name on high. Founds performed the song as a worship leader in his church. It was picked up by Maranatha! Music and initially recorded by the Maranatha! Singers followed by the Praise ...
Jeremy Camp (Empty Me, Vol. 1, 2004) Israel & New Breed (Live from Another Level, 2004) Terry MacAlmon (The Sound of Heaven, 2004) Hillsong (Ultimate Worship, 2005) The O.C. Supertones (Faith of a Child, 2005) Randy Travis (Glory Train: Songs of Faith, Worship, and Praise, 2005) Lincoln Brewster (Let the Praises Ring, 2006)
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
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