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"Las Palabras de Amor (The Words of Love)" is a rock ballad by the British rock band Queen. It was released as the third single from their 1982 album Hot Space . It is sung mostly in English, but with several Spanish phrases.
Amor (Great Love Songs in Spanish) is an album by Eydie Gorme & The Trio Los Panchos. It was produced by Pete Rosaly and released in 1964 on the Columbia Records label. The album spent 22 weeks on the charts and included the hit single "Sabor a Mi". It was the best-selling album in Gorme's career. [1] [2]
"Te Quiero" (English: "I Love You") is the debut single by Panamanian singer Flex from his debut studio album Te Quiero: Romantic Style in da World released on September 28, 2007. In 2008, the number serves as main-theme of Mexican telenovela Central de Abastos. It won the Billboard Latin Music Award for Latin Rhythm Airplay Song of the Year in ...
The song was Helen O'Connell's first solo hit. Her recording for Capitol (No. 1368) with Dave Cavanaugh's orchestra reached the No. 16 spot on the Billboard charts during a 10-week stay in 1951. [2] In the UK, the song reached No. 8 on the sheet music charts, with British covers by Steve Conway, Dick James, Joe Loss and his orchestra, and Jimmy ...
The Raphael song "Tema de Amor" was performed in the 1968 Argentinian film Digan lo que digan (Let Them Talk) and it used this song as the melody with lyrics. The Dutch Duo de Koning recorded the song as ‘Ave Maria klinkt zacht door de nacht’ probably in 1968. This piece was the melody for the 1970 Françoise Hardy song "San Salvador".
"These Words" (also known as "These Words (I Love You, I Love You)") is a song by British singer-songwriter Natasha Bedingfield. It was written by Steve Kipner, Andrew Frampton, Wayne Wilkins and Bedingfield for her 2004 debut album, Unwritten. The song is the album's opening track, and was released as its second single. "These Words" details ...
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Confused by the song's constant shift of viewpoint from "I" to "You" to "She", [21] Kustritz noted how certain phrases [a] introduce themes but do not develop them further and "merely appear, like drunken lyrical mad lib fill-ins. Words seem to have been positioned in 'Alejandro' not because they convey meaning but because of how they sound, a ...