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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Maine native and Connecticut resident Bill Flagg began using the term rockabilly for his combination of rock 'n' roll and hillbilly music as early as 1953. [55] He cut several songs for Tetra Records in 1956 and 1957. [56] "Go Cat Go" went into the National Billboard charts in 1956, and his "Guitar Rock" is cited as classic rockabilly. [55]
The song is also noted for its psychedelic feedback effects, miming the volume swell on the electric guitar from Donovan's 1966 song "Sunshine Superman". The backing vocal effect in the verse parodying the Beatles reflects "Yellow Submarine". [citation needed] The backing band on the recording was The Paupers, a rock band from Toronto.
Music in Twelve Parts transitional thirteenth chord.png 450 × 221; 15 KB Northern lights chord arrangement.mid 22 s; 7 KB Park Avenue Beat polychord.png 450 × 221; 20 KB
Fred Lincoln "Link" Wray Jr. (May 2, 1929 – November 5, 2005) was an American guitarist, songwriter, and vocalist who became popular in the late 1950s. His 1958 instrumental single "Rumble", reached the top 20 in the United States; and was one of the earliest songs in rock music to utilize distortion and tremolo.
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
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The song's follow-up singles were a mixture of traditional country, pop and rockabilly music. [2] "Gotta Lot of Rhythm in My Soul" was an example of one of Cline's Rockabilly recordings recorded after the 1957 hit. The song was written by Barbara Vaughan and W.S. Stevenson. [1]
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