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The account in Genesis naturally credits the Creation to the single figure of God, in Christian terms, God the Father. However the first person plural in Genesis 1:26 "And God said, Let us make man in our image, after our likeness", and New Testament references to Christ as Creator (John 1:3, Colossians 1:15) led Early Christian writers to ...
God is working his purpose out, and the time is drawing near; nearer and nearer draws the time the time that shall surely be, when the earth shall be filled with the glory of God as the waters cover the sea. 2. From farthest east to farthest west, where human feet have trod, by the voice of many messengers goes forth the voice of God: 'Give ear ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
The majority of early Christian art depicts The Holy Spirit in an anthropomorphic form as a human with two other Identical human figures representing God the Father and Jesus Christ. They either sit or they stand grouped together. This is used to portray the unity of the Most Holy Trinity. [7] [8]
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
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G Schiller, Iconography of Christian Art, Vol. II,1972 (English trans from German), Lund Humphries, London, figs 471–75, ISBN 0-85331-324-5 Emile Mâle , The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions), ISBN 978-0064300322