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Miller is a serif typeface, released in 1997 by the Font Bureau, a U.S.-based digital type foundry. [1] It was designed by Matthew Carter and is of the 'transitional' style from around 1800, based on the "Scotch Roman" type which originates from types sold by Scottish type foundries that later became popular in the United States.
Typefaces commonly or formerly used for newspaper and magazine publishing. Pages in category "Newspaper and magazine typefaces" The following 10 pages are in this category, out of 10 total.
In 2011 Retina was one of twenty-three digital fonts acquired by MoMA for its Architecture and Design collection [2] after being gifted to the museum by Hoefler & Frere-Jones, and the font is now used by many newspapers for high density texts such as stock information and classified ads. [3] Retina was released for licence to the public in 2016 ...
Actual font is the digital Bodoni Monotype published in 1999. Bodoni (/ b ə ˈ d oʊ n i /, Italian:) is the name given to the serif typefaces first designed by Giambattista Bodoni (1740–1813) in the late eighteenth century and frequently revived since. [1] [2] Bodoni's typefaces are classified as Didone or modern.
Some fonts intended for typesetting multiple writing systems use Times New Roman as a model for Latin-alphabet glyphs: Bitstream Cyberbit is a roman-only font released by Bitstream with an expanded character range intended to cover a large proportion of Unicode for scholarly use, with European alphabets based on Times New Roman.
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A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
All three fonts have been included on every Mac going back to the 1980s, and they are the default "sans-serif", "serif", and "monospace" fonts in almost all web browsers. On early versions of Windows, these names referred to pixelated versions of the core PostScript fonts.