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Phocus' mother Psamathe, the Nereid goddess of sand beaches, transformed herself into a seal when she was ambushed by Aeacus, and was raped as a seal; conceived in the rape, Phocus' name means "seal". [2] According to Pindar, Psamathe gave birth to Phocus on the seashore. [3] By Asteria or Asterodia, Phocus had twin sons, Crisus and Panopeus. [4]
They feature prominently in the oral traditions and mythology of various cultures, especially those of Celtic and Norse origin. The term “selkie” derives from the Scots word for “seal”, and is also spelled as silkies, sylkies, or selchies. Selkies are sometimes referred to as selkie folk (Scots: selkie fowk), meaning 'seal folk'.
(Greek mythology) Girdle of Hippolyta, a girdle that was a symbol of Hippolyta's power over the Amazons, and given to her by Ares. Heracles' 9th Labor was to retrieve it. (Greek mythology) Tyet, the ancient Egyptian symbol of the goddess Isis. It seems to be called "the Knot of Isis" because it resembles a knot used to secure the garments that ...
Phocus (/ ˈ f oʊ k ə s /; Ancient Greek: Φῶκος means "seal" [1]) was the name of the eponymous hero of Phocis in Greek mythology. [2] Ancient sources relate of more than one figure of this name, and of these at least two are explicitly said to have had Phocis named after them.
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
The seal has come to be known as Pylos Combat Agate. [2] The seal is noted for its exceptionally fine and elaborate engraving, and considered "the single best work of glyptic art ever recovered from the Aegean Bronze Age". [2] The quality of the work anticipates later developments as far ahead as the Classical era of a millennium later.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
In Greek mythology, the Old Man of the Sea (Ancient Greek: ἅλιος γέρων, romanized: hálios gérōn; Greek: Γέροντας της Θάλασσας, romanized: Yérondas tis Thálassas) was a figure who could be identified as any of several water-gods, generally Nereus or Proteus, but also Triton, Pontus, Phorcys or Glaucus.