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The Nursery is a triptych with an allegory on art education. [4] That Gerard Dou chose the form of a triptych for a profane subject is considered very exceptional. [3] The allegory is based on a statement originating from Aristotle, which mentions that three things are needed for a successful education, namely nature, education and practice.
The Visit to the Nursery is an oil-on-canvas painting by French artist Jean-Honoré Fragonard, created c. 1775, now held in the National Gallery of Art in Washington, D.C., which it entered in 1946 as part of the Samuel H. Kress collection.
Legend has it that he searched for a model for the painting’s figures and found them in his first wife, Nelly Monochablon, who posed for the angels, one by one, and at last, with a child in her arms. The painting shows the Virgin Mary holding the baby Jesus Christ, who is calmly asleep in a pastoral setting, while a trio of angels hovers ...
Of a study that Van Gogh made for Girl in a Wood or Girl in White in the Woods, [10] he remarked at how much he enjoyed the work and explains how he wishes to trigger the audience's senses and how they may experience the painting: "The other study in the wood is of some large green beech trunks on a stretch of ground covered with dry sticks ...
File: Marie Laurencin, 1910-11, Les jeunes filles, Jeune Femmes (Young Girls), oil on canvas, 115 x 146 cm, Moderna Museet, Stockholm.jpg Add languages Add topic
Child with a Dove is an oil painting on canvas and measures 28.75 inches (73.0 cm) by 21.25 inches (54.0 cm). It is signed by Picasso on the centre left of the painting. It depicts a girl, with short ginger hair, wearing a white gown tied at the waist with a blue sas
The painting was bequeathed to the Metropolitan Museum in 1929, as part of the H.O. Havemeyer Collection. [4] The painting has been widely exhibited while on loan from the Metropolitan Museum at such venues as the Museum of Modern Art, NY; the National Gallery of Art, Washington, DC; the Parish Art Museum, Southampton, NY; Newark Museum, NJ; Mint Museum of Art, Charlotte, NC; Santa Barbara ...
Images of peasant girls spinning wool were a popular subject and appeared frequently in the works of nineteenth century artists, to whom the theme offered opportunities to romanticize rural life, document regional costume, as well as conjure up the iconography of Clotho and the Fates or Moirai of classical mythology, who are primeval goddesses that spin, apportion and eventually cut the thread ...
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