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B.B. King and Muddy Waters, with the most standards on the charts at five each, [8] used electric blues-ensemble arrangements. Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk ...
The first appearance of the blues is often dated to after the ending of slavery, with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908.
The strings were played by means of six piano or organ pedals, each connected to a padded piano hammer which struck a string. [6] Removing his shoe and placing his sock-covered foot in a rotating heel cradle, Fuller played the six pedals of the fotdella like a piano. With the instrument's six notes, he could play bass lines in several keys.
In keeping with a common practice at the time, "dirty" themes were often alluded to with allusions from the animal kingdom, such as in Shanghai Rooster Yodel (1931) or Tom Cat Blues (1932). Hen and rooster were particularly popular, [ 79 ] and when Tom Cat Blues (1932) is about "cock" and "pussy", it is left to the listener's imagination ...
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In October 1954, Howlin' Wolf recorded his version, titled simply "Forty Four", as an electric Chicago blues ensemble piece. Unlike the early versions of the song, Wolf's recording featured prominent guitar lines and an insistent "martial shuffle on the snare drum plus a bass drum that slammed down like an industrial punch-press", according to biographers. [7]
A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
From the late 19th century the term ballad began to be used for sentimental songs with their origins in the early ‘Tin Pan Alley’ music industry. [5] As new genres of music, including the blues, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality meant led to this being used as the term for a slow love song from the 1950s onward.
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