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"Ano Yume o Nazotte" (あの夢をなぞって, "Tracing That Dream") is a song by Japanese duo Yoasobi from their debut EP, The Book (2021). It was released as a single on January 18, 2020, through Sony Music Entertainment Japan.
Chasing Sheep is Best Left to Shepherds is a piece of minimalist music from the soundtrack for The Draughtsman's Contract, written by Michael Nyman. In the forty years since its release it has been much quoted and sampled and performed by various ensembles. It is based on the Prelude to Act III, Scene 2 of Henry Purcell’s opera, King Arthur. [1]
Dreams about being chased are one of the most common dreams (or nightmares) people have, providing a haunting, panicky feeling upon waking. Whether running from another person or a powerful animal ...
The Waltz in D-flat major, Op. 64, No. 1, sometimes known as "Valse du petit chien" (French for "Waltz of the puppy"), and popularly known in English as the Minute Waltz, is a piano waltz by Polish composer and virtuoso Frédéric Chopin. It is dedicated to the Countess Delfina Potocka.
"Good Times" is a song recorded by Eric Burdon & the Animals and released on the 1967 album Winds of Change, with music and lyrics by Eric Burdon, John Weider, Vic Briggs, Danny McCulloch and Barry Jenkins. The single reached number 20 on the UK Singles Chart. It was the B-side to "San Franciscan Nights" in the U.S.
Love Is was issued in both the United Kingdom and United States.It was the last album released before the Animals' second dissolution in 1968. An edited version of the track "Ring of Fire" was released as a single and peaked at No. 35 in the UK singles chart, breaking the top 40 in Germany, Holland, and Australia as well.
Nora the Piano Cat (September 10, 2004 [1] – February 5, 2024) was a gray tabby cat, rescued from the streets of Camden, New Jersey, by the Furrever Friends animal shelter. Nora gained international prominence after a YouTube video of her playing the piano went viral in 2007.
It is notable for its use of piano chords deep in the bass register, influenced by the sonorous English pianos Haydn came to appreciate while in London. [2] The short and cheerful second movement (in sharp contrast to the first) has the scheme A–B–A–Coda. Unusually, the violin takes a more important role than the piano.