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"Ano Yume o Nazotte" (あの夢をなぞって, "Tracing That Dream") is a song by Japanese duo Yoasobi from their debut EP, The Book (2021). It was released as a single on January 18, 2020, through Sony Music Entertainment Japan.
Dreams about being chased are one of the most common dreams (or nightmares) people have, providing a haunting, panicky feeling upon waking. Whether running from another person or a powerful animal ...
Dream chord on G Play ⓘ.. The dream chord is a chord that is used prominently in the works of La Monte Young.It is made up of the pitches G-C-C♯-D. [2] [3] The chord is prominently featured in Young's compositions for Brass (1957), Trio for Strings (1958), and The Four Dreams of China (1962).
Richard Wright played the introduction on a Rhodes Piano, which was overdubbed with sheep noises in the background. [3] The middle section of the song features a narration processed through a vocoder and is a parody of Psalm 23. Live, the narration was performed by Nick Mason. [7]
Chase Holfelder is an American singer, songwriter and music producer residing in Raleigh, North Carolina. [citation needed] He is best known for his "Major to Minor" series of YouTube videos in which he performs minor-key renditions of popular major-key songs.
"Don't Chase the Dead" was the first song the band recorded for We Are Chaos.The track was written by Marilyn Manson and Shooter Jennings, and was recorded by the pair alongside drummer Jamie Douglass at Station House Studio, with Jennings saying the "bare bones" of the song were recorded in five hours.
Following the 1989 breakup of The Damned, [2] Vanian, guitarist Roman Jugg and bassist Bryn Merrick formed the Phantom Chords with Brendan Mooney (guitar) and Clyde Dempsey (drums). In 1990, the debut single by the band ("Johnny Remember Me", a cover of a Geoff Goddard song) was released on Polydor in Australia and M&G Records in the UK. [3]
Chasing Sheep is Best Left to Shepherds is a piece of minimalist music from the soundtrack for The Draughtsman's Contract, written by Michael Nyman. In the forty years since its release it has been much quoted and sampled and performed by various ensembles. It is based on the Prelude to Act III, Scene 2 of Henry Purcell’s opera, King Arthur. [1]
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