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Francisco Goya etched a print of Las Meninas in 1778, [86] and used Velázquez's painting as the model for his Charles IV of Spain and His Family. As in Las Meninas, the royal family in Goya's work is apparently visiting the artist's studio. In both paintings the artist is shown working on a canvas, of which only the rear is visible.
In Europe, some early paintings featuring girls were Petrus Christus' Portrait of a Young Girl (about 1460), Juan de Flandes' Portrait of a Young Girl (about 1505), Frans Hals' Die Amme mit dem Kind in 1620, Diego Velázquez' Las Meninas in 1656, Jan Steen's The Feast of St. Nicolas (about 1660) and Johannes Vermeer's Girl with a Pearl Earring ...
The painting, echoing Diego Velázquez's 1656 Spanish court painting Las Meninas (The Maids of Honor), contains a self-portrait of Botero standing behind a large canvas. The thick, "puffy" presidential family, decked out in fashionable finery and staring blandly out of the canvas, appear socially superior, drawing attention to social inequality ...
Voting period is over. Please don't add any new votes. Voting period ends on 16 Sep 2014 at 16:31:20 (UTC). Original – Las Meninas has long been recognised as one of the most important paintings in Western art history and has a complex and enigmatic composition; it is considered to be one of the most important paintings in Western art history.
1916: Las Meninas (music by Gabriel Fauré) 1917: The Good-Humoured Ladies (music by Domenico Scarlatti, arr. Vincenzo Tommasini) 1917: Parade (music by Erik Satie) 1919: La Boutique fantasque (music by Gioacchino Rossini, arr. Ottorino Respighi) 1919: The Three-Cornered Hat (music by Manuel de Falla) 1920: Pulcinella (music by Igor Stravinsky)
Original - Las Meninas (Spanish for The Maids of Honour) is a 1656 painting by Diego Velázquez, the leading artist of the Spanish Golden Age, in the Museo del Prado in Madrid. The work's complex and enigmatic composition raises questions about reality and illusion, and creates an uncertain relationship between the viewer and the figures depicted.
Women in the Philippines (Filipino: Kababaihan sa Pilipinas) may also be known as Filipinas or Filipino women. Their role includes the context of Filipino culture , standards, and mindsets. The Philippines is described [ by whom? ] to be a nation of strong women, who directly and indirectly run the family unit, businesses, and government agencies.
According to Licht, "there may be an element of self-mockery in this painting, some equation between the ironic loneliness of the exhibitionist (whose aim of attracting people is constantly thwarted by the means he obsessively adopts to capture attention) and the artist who also bares himself without shame or restraint and who is also doomed to ...