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"Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals .
Kenneth Morris (August 28, 1917 – February 1, 1989) [1] was an African American composer of gospel music and publisher who popularized several songs, including "Just a Closer Walk with Thee". Morris was born in New York in 1917 and performed in church as a youth before becoming a professional jazz musician.
Pages for logged out editors learn more. Contributions; Talk; Just a Closer Walk with Thee (song)
Just a Closer Walk with Thee: Stuart Hine (Adapted by Malcolm Dodds) November 16, 1959: 3:30 8: My Lord What a Mornin' H. T. Burleigh (Adapted by Malcolm Dodds) January 28, 1960: 2:30 9: Great Getting Up Mornin' (Adapted by Malcolm Dodds) January 28, 1960: 3:25 10: Were You There (Adapted by Malcolm Dodds) November 16, 1959: 3:23 11: Break ...
The song was released as the fifth and final single from the album. "Where the River Flows" peaked at number one on the US Billboard Mainstream Rock chart, becoming the band's fourth single to do so. The song became a top-40 hit in Canada, peaking at number 39 on the RPM 100 Hit Tracks chart.
Just a Closer Walk with Thee" is a traditional gospel song. Just a Closer Walk with Thee may also refer to: Just a Closer Walk with Thee, an album by Patti Page, 1960; Just a Closer Walk with Thee, an album by The Blackwood Brothers, 1969; Just a Closer Walk with Thee, an album by The Blind Boys of Alabama, 2006
Worship & Faith is the fifteenth studio album by American country music artist Randy Travis. It was released on November 11, 2003 by Word Records. The album is composed of twenty covers of traditional gospel tunes. It was recorded live in concert at the Orlando Calvary Assembly of God in Orlando, Florida, in July 2003.
The original music for Cool Hand Luke was composed by Lalo Schifrin, who reissued it in 2001 along with additional cues and new music on his own Aleph label. [1] [2]In part because its staccato melody resembles the sound of a telegraph, [3] an edited version of the 6