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Japanese propaganda poster featuring Japanese agrarian immigrants in Manchukuo, designed for English speakers. The Allies were also attacked as weak and effete, unable to sustain a long war, a view at first supported by a string of victories. [176] The lack of a warrior tradition such as bushido reinforced this belief. [177]
Propaganda activities in Japan have been discussed as far back as the Russo-Japanese War of the first decade of the 20th century. [2] Propaganda activities peaked during the period of the Second Sino-Japanese War and World War II. [3] [4] Scholar Koyama Eizo has been credited with developing much of the Japanese propaganda framework during that ...
The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]
Walter Kaner (May 5, 1920 – June 26, 2005) was a journalist and radio personality who broadcast using the name Tokyo Mose during and after World War II. Kaner broadcast on U.S. Army Radio, at first to offer comic rejoinders to the propaganda broadcasts of Tokyo Rose and then as a parody to entertain U.S. troops abroad.
Japanese propaganda films (1 C, 8 P) Pages in category "Propaganda in Japan" The following 12 pages are in this category, out of 12 total.
Momotaro: Sacred Sailors (桃太郎 海の神兵, Momotarō: Umi no Shinpei) [2] is the first Japanese feature-length animated film. [3] It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for World War II by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on ...
Across the Equator (Japanese: 赤道越えて, Hepburn: Sekidō Koete) is a 1936 Japanese propaganda documentary film directed by Eiji Tsuburaya in his directorial debut. [3] Produced and distributed by Nikkatsu, [2] it was shot by Tsuburaya from February to August 1935, whom traveled across the Pacific on the cruiser Asama. [4]
The Zero Hour was the brainchild of Major Shigetsugu Tsuneishi, who joined the Japanese Imperial Army's 8th Section G-2 (Psychological Warfare) unit as the Army representative to the Information Liaison Confidential Committee, which oversaw the coordination of the nationalized news agencies, in November 1941.