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Ogata Kōrin (Japanese: 尾形光琳; 1658 – June 2, 1716) was a Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. [ 1 ] [ 2 ] Kōrin is best known for his byōbu folding screens, such as Irises [ 3 ] and Red and White Plum Blossoms [ 4 ] (both registered National Treasures ), and his paintings on ...
Most names of colors originate from the names of plants, flowers, and animals that bore or resembled them. Certain colors and dyeing techniques have been used since the Asuka period , while others had been developed as late as the Meiji period when synthetic dyes became common.
The screens are among the first works of Japanese painter and lacquerer Ogata Kōrin after he attained the rank of Hokkyō (法橋, “Bridge of the Dharma”), the third highest rank awarded to artists. It depicts bunches of abstracted blue Japanese irises in bloom, and their green foliage, creating a rhythmically repeating but varying pattern ...
Shinagawa no Tsuki was in the collection of the Paris-based Japanese art dealer Tadamasa Hayashi (1853–1906). [22] In 1903 [ 10 ] Charles Lang Freer obtained it from Hayashi and later donated it to the Freer Gallery of Art, where it now resides.
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
Sesshū Tōyō (雪舟 等楊, c. 1420 – August 26, 1506), also known simply as Sesshū (雪舟), was a Japanese Zen monk and painter who is considered a great master of Japanese ink painting. Initially inspired by Chinese landscapes, Sesshū's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics. [ 1 ]
Japanese manga has developed a visual language or iconography for expressing emotion and other internal character states. This drawing style has also migrated into anime, as many manga are adapted into television shows and films and some of the well-known animation studios are founded by manga artists.