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The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress. [2] The National Recording Preservation Act of 2000 established a national program to guard America's sound recording heritage.
The United States National Recording Preservation Board selects recorded sounds for preservation in the Library of Congress' National Recording Registry.The National Recording Registry was initiated to maintain and preserve "sound recordings that are culturally, historically or aesthetically significant"; to be eligible, recordings must be at least ten years old.
The Library of Congress has released its annual list of 25 audio recordings earmarked for celebration and preservation as part of the National Recording Registry, and the musical artists selected ...
The Complete Recordings (Robert Johnson album) The Complete Village Vanguard Recordings, 1961; Concert in the Garden; Second inauguration of Calvin Coolidge; Cornell 5/8/77; The Cradle Will Rock; Crazy (Willie Nelson song) Crazy Blues; Cross of Gold speech; Cry Me a River (Arthur Hamilton song) Cuban Jam Sessions in Miniature
The National Recording Preservation Plan is a strategic guide for the preservation of sound recordings in the United States. It was published in December 2012 by the Council on Library and Information Resources (CLIR) and the National Recording Preservation Board of the Library of Congress.
The Rigler and Deutsch Index of Recorded Sound, also known as the Rigler Deutsch Index, is a union catalog collocation of the U.S. holdings of 78 rpm records in the collections of the Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division; the Rodgers and Hammerstein Archives of Recorded Sound at the New York Public Library; Belfer Audio Laboratory and Archive at ...
In January 2007, a five-page letter was sent to the National Recording Preservation Board at the Library of Congress on behalf of the Association of Research Libraries (ARL) in support of a study on the current state of recorded sound preservation in the United States, stating "the lack of agreed upon standards and commonly accepted best ...
In 1938, noted musicologist and Morton biographer Alan Lomax conducted a series of interviews with Morton at the Library of Congress. [1] Richard Cook and Brian Morton describe these recordings as Jelly Roll Morton's "virtual history of the birth pangs of jazz as it happened in the New Orleans of the turn of the century. His memory was ...