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A 1973 report cites a university study of fifty cases of people complaining about a "low throbbing background noise" that others were unable to hear. The sound, always peaking between 30 and 40 Hz (hertz), was found to only be heard during cool weather with a light breeze, and often early in the morning. These noises were often confined to a 10 ...
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Upsweep is an unidentified sound detected on the American NOAA's equatorial autonomous hydrophone arrays. This sound was present when the Pacific Marine Environmental Laboratory began recording its sound surveillance system, SOSUS, in August 1991. It consists of a long train of narrow-band upsweeping sounds of several seconds in duration each.
PNF-library.org, Free Noise Manifesto; Torben Sangild: "The Aesthetics of Noise" UBU.com, mp3 audio files of the noise music of Luigi Russolo on UbuWeb; Noiseweb; List of noise bands in the Noise Wiki created by noise artists for noise artists #13 Power Electronics at Tellus Audio Cassette Magazine housed at UbuWeb; MP3 files by harsh noise artists
"Silence" by Brian Eno on Drums Between the Bells (2011) "Silence" by Knife Party "Silencio sepulcral" (Sepulchral Silence) by Soziedad Alkoholika "Song of the Deaf Girl" by Cloud Cult on The Meaning of 8 (2007) "Štrajk" by Hladno pivo on Šamar (2003) "The Sound of Free speech" by Crass "Tathagatagarbha" by Clarence Clarity on No Now (2015)
Various software, firmware, and hardware components may add up to a substantial delay associated with starting playback of a track. If not accounted for, the listener is left waiting in silence as the player fetches the next file (see harddisk access time), updates metadata, decodes the whole first block, before having any data to feed the hardware buffer.
Musical tones produced by the human voice and all acoustical musical instruments incorporate noises in varying degrees. Most consonants in human speech (e.g., the sounds of f, v, s, z, both voiced and unvoiced th, Scottish and German ch) are characterised by distinctive noises, and even vowels are not entirely noise free. Wind instruments ...
4′33″ [a] is a modernist composition [b] by American experimental composer John Cage.It was composed in 1952 for any instrument or combination of instruments; the score instructs performers not to play their instruments throughout the three movements.