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Take the Money and Run is a piece of artwork by Jens Haaning, commissioned by the Kunsten Museum of Modern Art Aalborg in Denmark in 2021. [1] [2] [3] The artwork consists of an empty canvas, intended to act as a commentary on poor work wages.
Early canvas was made of linen, a sturdy brownish fabric of considerable strength. Linen is particularly suitable for the use of oil paint. In the early 20th century, cotton canvas, often referred to as "cotton duck", came into use. Linen is composed of higher quality material, and remains popular with many professional artists, especially ...
The painting was bequeathed to the Metropolitan Museum in 1929, as part of the H.O. Havemeyer Collection. [4] The painting has been widely exhibited while on loan from the Metropolitan Museum at such venues as the Museum of Modern Art, NY; the National Gallery of Art, Washington, DC; the Parish Art Museum, Southampton, NY; Newark Museum, NJ; Mint Museum of Art, Charlotte, NC; Santa Barbara ...
Fancy work was distinguished from plain sewing and it was a mark of a prosperous and well-managed home to display handmade needlework. While plain sewing was often handed over to servants, even in middle class households, fancy work would often be done while entertaining guests, in the afternoons, evenings, or on Sundays.
Robert Rauschenberg: "A canvas is never empty". [20] In the early 1950s, became known for white, then black, and eventually red monochrome canvases. In the White Paintings [21] (1951) series, Rauschenberg applied everyday house paint with paint rollers to achieve smooth "blank" surfaces. White panels were exhibited alone or in modular groupings.
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