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Bedwars (stylized as BedWars) is a game developed by Easy.gg based on the fanmade Minecraft minigame of the same name. [160] Similar to the original version, players defend their bed from other opponents while attempting to destroy other player's beds. [161] [162] Unlike the Minecraft version, the game has more weapons to use. [160]
Also isometric graphics. Graphic rendering technique of three-dimensional objects set in a two-dimensional plane of movement. Often includes games where some objects are still rendered as sprites. 360 no-scope A 360 no-scope usually refers to a trick shot in a first or third-person shooter video game in which one player kills another with a sniper rifle by first spinning a full circle and then ...
Ladylike was released to generally mixed reviews from music critics, many of whom praised the slower songs on the album but found the rest of the material too generic. On the charts, the album peaked at number ten on the German Albums Chart , becoming Monrose's fourth consecutive top ten album to do so.
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[3] [10] [30] "Anything but Love" is a guitar-driven ballad about heartbreak which contains a strong back beat. [3] [26] Also a ballad, "More Hearts Than Mine" relates how Andress's family will react if she brings her new boyfriend home. The song was inspired by Andress's real-life indecision of whether or not she should bring her new boyfriend ...
"Lady Like" received widespread acclaim from music critics. Goldfine praised Andress' lyricism and vocal delivery. Goldfine praised Andress' lyricism and vocal delivery. She described the song as "a classic girl power anthem", likening it to other tracks with feminist themes such as No Doubt 's " Just a Girl " and Lily Allen 's " Hard out Here ...
"Like a Lady" is a song performed by German girl band Monrose. It was written by Risto Asikainen, Zippy Davis, Veikka "DJ Ercola" Erkola and Alexander Komlew and recorded for their fourth studio album Ladylike (2010), with production helmed by Davis, Erkola and Komlew under their production moniker Tuneverse.
Entertainment Weekly editor David Browne called Dion's cover an "overarranged stab at reggae dancehall" and "unintentionally amusing". [1] The New York Observer editor Jonathan Bernstein wrote, "She's fallen on her face before when attempting to be as one with the rhythm, but Celine Dion has never humiliated herself as comprehensively as she does when mashing it up in a dance-hall style on ...