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The character of Kuba design accords with Robert Thompson's observation that some African music and art forms are enlivened by off-beat phrasing of accents, by breaking the expected continuum of surface, by staggering and suspending the pattern. [11] In textile design, the Africans of the Kasai-Sankuru region do not project a composition as an ...
The embroidery techniques, such as buttonhole stitch and cut-pile embroidery, are often simple, but their intricate effects are a result of the skill-level and final pattern design used. For example, hemmed appliqué is a simple technique still used today where raphia cloth pieces are cut into designs and sewn onto the base fabric. The ...
Bazin (or basin) is a West African fabric with its origin in Europe imported in Mali, made from hand-dyed cotton, resulting in a damask textile known for its stiffness and vibrant sheen. It is primarily recognized as the most commonly used fabric for crafting a Boubou , a long, loose traditional outerwear worn by both men and women ...
African formal clothing has normalized western clothing conventions and styles. European influence is commonly found in African fashion as well. For example, Ugandan men have started to wear "full length trousers and long-sleeved shirts". On the other hand, women have started to adapt influences from "19th-century Victorian dress". These styles ...
Sotho woman wearing a brown shweshwe dress. Shweshwe (/ ˈ ʃ w ɛ ʃ w ɛ /) [1] is a printed dyed cotton fabric widely used for traditional Southern African clothing. [2] [3] Originally dyed indigo, the fabric is manufactured in a variety of colours and printing designs characterised by intricate geometric patterns.
The design of the agbada, with its wide sleeves and intricate embroidery, signified the wearer’s prestige and was often used in important ceremonies and public appearances. Yoruba man in a type of Agbada. Many Agbada are made with aso oke or aso ofi fabric, but they can be made in other different fabrics including adire. The Agbada has ...
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