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Aristaeus (/ ær ɪ ˈ s t iː ə s /; Ancient Greek: Ἀρισταῖος Aristaios) was the mythological culture hero credited with the discovery of many rural useful arts and handicrafts, including bee-keeping; [1] he was the son of the huntress Cyrene and Apollo.
The Aristaeus of was one of the Giants, thus presumably a child of Gaia, the race that attacked the gods during the war that came to be known as the Gigantomachy. [1] He is probably named on an Attic black-figure dinos by Lydos (Akropolis 607) dating from the second quarter of the sixth century BC, where he is depicted fighting his opponent Hephaestus, the god of the forge. [2]
So, in the back-story of the myth of Aristaeus, Hypseus, a king of the Lapiths, married Chlidanope, a naiad, who bore him Cyrene. Aristaeus had more than ordinary mortal experience with the naiads: when his bees died in Thessaly, he went to consult them. His aunt Arethusa invited him below the water's surface, where he was washed with water ...
Aristeas was supposed to have authored a poem called the Arimaspeia, giving an account of travels in the far North.There he encountered a tribe called the Issedones, who told him of still more fantastic and northerly peoples: the one-eyed Arimaspi, who battle gold-guarding griffins; and the Hyperboreans, among whom Apollo lives during the winter.
In Greek mythology, Cyllene (/ s aɪ ˈ l iː n iː /; Ancient Greek: Κυλλήνη, romanized: Kullḗnē pronounced [kyllɛ̌ːnɛ]), also spelled Kyllene (/ k aɪ ˈ l iː n iː /), is the Naiad [1] or Oread nymph [citation needed] and the personification of Mount Cyllene in Arcadia, the region in Greece where the god of travelers and shepherds Hermes was born and brought up.
In Greek mythology, Aganippe (/ægə'nɪpiː/; Ancient Greek: Ἀγανίππη means 'mare who kills mercifully' [1]) was the name of both a spring and the Naiad (a Crinaea) associated with it. [2] The spring is in Boeotia, near Thespiae, at the base of Mount Helicon, [3] and was associated with the Muses who were sometimes called Aganippides ...
Virgil draws on the neoteric poets at times, and Catullus' Carmen 64 very likely had a large impact on the epyllion of Aristaeus that ends the Georgics 4. Virgil's extensive knowledge and skilful integration of his models is central to the success of different portions of the work and the poem as a whole.
The story in this form belongs to the time of Virgil, who first introduces the name of Aristaeus and the tragic outcome. [8] Other ancient sources, however, speak of Orpheus's visit to the underworld in a more negative light; according to Phaedrus in Plato's Symposium, [9] the infernal deities only "presented an apparition" of Eurydice to him ...