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The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
News of Troy's fall quickly reached the Achaean kingdoms through phryctoria, a semaphore system used in ancient Greece. A fire signal lit at Troy was seen at Lemnos, relayed to Athos, then to the look-out towers of Macistus on Euboea, across the Euripus straight to Messapion, then to Mount Cithaeron, Mount Aegiplanctus and finally to Mount Arachneus, where it was seen by the people of Mycenae ...
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
Bacchus/ Dionysus returning from ancient India. A legendary account states that when the Greek God Bacchus/Dionysus grew up, he discovered the culture of the vine and the mode of extracting its precious juice, being the first to do so; [1] but Hera struck him with madness, and drove him forth a wanderer through various parts of the earth.
The Battle of Cana was fought between Greek Seleucid Empire under king Antiochus XII Dionysus, and the Arab Nabataean Kingdom. Cana is an unknown village; scholars place it somewhere south or southwest of the Dead Sea .
Paris Olympics organizers issued an apology on Sunday after a scene depicting the Greek god Dionysus drew criticism for allegedly mocking Leonardo da Vinci's painting “The Last Supper,” which ...
An "unspoken" sparagmos may have been the central element underlying the very genre of Greek tragedy. [1] [2] Maenads and Pentheus, House of the VettiiSparagmos (Ancient Greek: σπαραγμός, from σπαράσσω sparasso, "tear, rend, pull to pieces") is an act of rending, tearing apart, or mangling, [3] usually in a Dionysian context.