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The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter. The rhyme scheme of these lines is ABABBCBCC. [1] [2]
The Faerie Queene is an English epic poem by Edmund Spenser.Books I–III were first published in 1590, then republished in 1596 together with books IV–VI. The Faerie Queene is notable for its form: at over 36,000 lines and over 4,000 stanzas, [1] it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian ...
Spenserian may refer to the adjective of Spenser, in particular Edmund Spenser (1552/3–99), English poet, in particular Spenserian stanza, used in The Faerie Queen ...
Spenser used a distinctive verse form, called the Spenserian stanza, in several works, including The Faerie Queene. The stanza's main metre is iambic pentameter with a final line in iambic hexameter (having six feet or stresses, known as an Alexandrine), and the rhyme scheme is ababbcbcc. [25] He also used his own rhyme scheme for the sonnet.
The Spenserian sonnet is a sonnet form named for the poet Edmund Spenser. [ 1 ] A Spenserian sonnet consists of fourteen lines, which are broken into four stanzas: three interlocked quatrains and a final couplet, with the rhyme scheme ABAB BCBC CDCD EE. [ 2 ]
Allegory: an extended metaphor in which the characters, places, and objects in a narrative carry figurative meaning. Often, the meaning of an allegory is religious, moral, or historical in nature. Example: "The Faerie Queene" by Edmund Spenser. [1] Periphrasis: the usage of multiple separate words to carry the meaning of prefixes, suffixes or ...
"Tellingly, attempts to close off the sonnet from its Arabic predecessors depend upon a definition of the new lyric to which Giacomo's poetry does not conform: surviving in thirteenth-century recensions, his poems appear not in fourteen, but rather six lines, including four rows, each with two hemistiches and two 'tercets' each in a line ...
It is possible that Hunt derived his model of adapting Spenserian stanzas from James Thomson's use of them in The Castle of Indolence. [7] In terms of Romantic poetry, Hunt's poem is related to the allegories found in Percy Bysshe Shelley's Queen Mab and The Revolt of Islam along with those in Robert Southey's Thalaba and Curse of Kehama. [8]