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In rhetoric, antithesis is a figure of speech involving the bringing out of a contrast in the ideas by an obvious contrast in the words, clauses, or sentences, within a parallel grammatical structure. [7] The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of ...
An antonym is one of a pair of words with opposite meanings. Each word in the pair is the antithesis of the other. A word may have more than one antonym. There are three categories of antonyms identified by the nature of the relationship between the opposed meanings.
Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").
Baconian fallacy – supposing that historians can obtain the "whole truth" via induction from individual pieces of historical evidence. The "whole truth" is defined as learning "something about everything", "everything about something", or "everything about everything". In reality, a historian "can only hope to know something about something ...
The whole concept of Satyagraha (Satya is truth which equals love, and agraha is force; Satyagraha, therefore, means truth force or love force) was profoundly significant to me. As I delved deeper into the philosophy of Gandhi, my skepticism concerning the power of love gradually diminished, and I came to see for the first time its potency in ...
Aphorism: briefly phrased, easily memorable statement of a truth or opinion, an adage. Aporia: faked or sincere puzzled questioning. Apophasis: (Invoking) an idea by denying its (invocation), also known as occupatio or paralipsis. Apostrophe: when an actor or speaker addresses an absent third party, often a personified abstraction or inanimate ...
Brooks' seminal essay, The Language of Paradox, lays out his argument for the centrality of paradox by demonstrating that paradox is "the language appropriate and inevitable to poetry." [ 3 ] The argument is based on the contention that referential language is too vague for the specific message a poet expresses; he must "make up his language as ...
Cover of the 1991 edition of Little Essays Toward Truth by Aleister Crowley. Little Essays Toward Truth is a 1938 book written by the mystic Aleister Crowley (1875–1947). It consists of sixteen philosophical essays on various topics within the framework of the Qabalah and Crowley's religion of Thelema. On the concept of truth, Crowley writes: