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A440 (also known as Stuttgart pitch [1]) is the musical pitch corresponding to an audio frequency of 440 Hz, which serves as a tuning standard for the musical note of A above middle C, or A 4 in scientific pitch notation. It is standardized by the International Organization for Standardization as ISO 16.
Scientific pitch, also known as philosophical pitch, Sauveur pitch or Verdi tuning, is an absolute concert pitch standard which is based on middle C (C 4) being set to 256 Hz rather than ~ 261.63 Hz, [a] making it ~ 31.77 cents lower than the common A440 pitch standard.
Scientific pitch notation is often used to specify the range of an instrument. It provides an unambiguous means of identifying a note in terms of textual notation rather than frequency, while at the same time avoiding the transposition conventions that are used in writing the music for instruments such as the clarinet and guitar.
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.
This is a collection of temperature conversion formulas and comparisons among eight different temperature scales, several of which have long been obsolete.. Temperatures on scales that either do not share a numeric zero or are nonlinearly related cannot correctly be mathematically equated (related using the symbol =), and thus temperatures on different scales are more correctly described as ...
In all systems of tuning, every pitch may be derived from its relationship to a chosen fixed pitch, which is usually A440 (440 Hz), the note A above middle C. For a classical piano and musical theory, the middle C is usually labelled as C 4 (as in scientific pitch notation ); However, in the MIDI standard definition this middle C (261.626 Hz ...
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Ideally, the temperature should be the same as that at which the organ will be typically used, and the temperature should have been stable for many hours before beginning the tuning. The reason for this is that the pitch of organ pipes varies significantly with temperature, and not all pipes vary at the same rate relative to temperature.