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The Widow is a co-production of British ITV and Amazon Video. [8] It was filmed in South Africa, Wales, and Rotterdam. The heat in some of the locations became difficult for Beckinsale, who was hospitalised after passing out while shooting a scene. [5] [9] [10]
Widow Clicquot is a 2023 internationally co-produced drama film, directed by Thomas Napper, from a screenplay by Erin Dignam and Christopher Monger based on the book The Widow Clicquot by Tilar J. Mazzeo. It stars Haley Bennett, Tom Sturridge, Sam Riley, Anson Boon, Leo Suter, Ben Miles, and Natasha O'Keeffe.
The film stars Harrison Ford and Liam Neeson alongside Peter Sarsgaard, Donald Sumpter, Christian Camargo, Michael Gladis and John Shrapnel in supporting roles. K-19: The Widowmaker was released by Paramount Pictures on July 19, 2002 in the United States while on September 5, 2002 in Germany and October 25, 2002 in the United Kingdom.
Widows is a 2018 neo-noir heist thriller film directed by Steve McQueen from a screenplay by Gillian Flynn and McQueen, [3] based upon the 1983 British television series of the same name. [4]
The Widow (Italian: La vedova X) is a 1955 romantic drama film directed by Lewis Milestone and written by Milestone and Louis Stevens, based on the novel La Vedova by Susan York. [2] The film had a theatrical release in Italy in 1955, [ 3 ] limited release in the United States in 1957, [ 4 ] and was released in France on 4 June 1959 under the ...
The acclaimed 2015 film “Carol,” starring Cate Blanchett and Rooney Mara, was largely filmed at various Queen City locations, including Eden Park and the Hilton Cincinnati Netherland Plaza.
Widows' Peak is a 1994 British-Irish mystery film directed by John Irvin and starring Mia Farrow, Joan Plowright, Natasha Richardson, Adrian Dunbar and Jim Broadbent. [1] The film is based on an original screenplay by Hugh Leonard and Tim Hayes.
The Widow (Italian:La vedova) is a 1939 Italian drama film directed by Goffredo Alessandrini and starring Isa Pola, Leonardo Cortese and Osvaldo Valenti. A mother's possessive love for her dead son leads to a hostile attitude towards his widow.