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Most church plans in England have their roots in one of two styles, Basilican and Celtic and then we see the later emergence of a 'two-cell' plan, consisting of nave and sanctuary. [14] In the time before the last war, there was a movement towards a new style of architecture, one that was more functional than embellished. [14]
The abbey church at Coventry, was co-cathedral with Lichfield and St John Chester in the Diocese of Lichfield, but was destroyed at the Dissolution. The large parish church of St. Michael's, Coventry, became Coventry Cathedral in 1918. It was bombed during World War II, leaving intact only its spire, regarded as one of the finest in England.
Churches of the Greek Cross form often have a narthex or vestibule which stretches across the front of the church. This type of plan was also to later play a part in the development of church architecture in Western Europe, most notably in Bramante's plan for St Peter's Basilica [3] [11] [better source needed] and Christopher Wren's design for ...
The Gothic style first appeared in France in the mid-12th century in an Abbey, St Denis Basilica, built by Abbot Suger (1081–1151). The old Basilica was the traditional burial place of Saint Denis, and of the Kings of France, and was also a very popular pilgrimage destination, so much so that pilgrims were sometimes crushed by the crowds.
[25] [33] To make way for the clergy's and archbishop's residences, the ambulatory was removed from the plans. [33] [34] The area behind the apse would have contained a chapel dedicated to the Blessed Virgin, but this was removed entirely. [35] The numerous heavy buttresses in the design were also removed. [31] Plans for the cathedral were ...
Amiens Cathedral floorplan: massive piers support the west end towers; transepts are abbreviated; seven radiating chapels form the chevet reached from the ambulatory. In Western ecclesiastical architecture, a cathedral diagram is a floor plan showing the sections of walls and piers, giving an idea of the profiles of their columns and ribbing.
The master mason was responsible for all aspects of the building site, including preparing the plans, selecting the materials, coordinating the work of the craftsmen, and paying the labourers. He also needed a substantial knowledge of Christian theology , as he had to consult regularly with the bishop and canons about the religious functions of ...
He used a more linear plan in subsequent designs, including St Patrick, Greenock (1934–35), St Columba, Maryhill (1937), and St Columbkille, Rutherglen (1934–40). The early Christian and Byzantine character of the most striking of these, St Patrick's, was enhanced by carvings by Archibald Dawson. Coia's use of selective details was probably ...
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