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"Easy to Be Hard" is a song from the 1967 rock musical Hair. It was written by Galt MacDermot , James Rado , and Gerome Ragni , who put the musical together in the mid-1960s. The original recording of the musical featuring the song was released in May 1968 with the song being sung by Lynn Kellogg , who performed the role of Sheila on stage in ...
The song was recorded by Three Dog Night in 1969, [3] on their 1969 albums Suitable for Framing (for which see note on piano outro) and Captured Live at the Forum.Their studio version reached number 10 on the Billboard Hot 100 [4] and number 4 in Canada's RPM Magazine charts.
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Easy to Be Hard" (Galt MacDermot, James Rado, Gerome Ragni) – 3:11 Lead vocal: Negron. Features an uncredited string section. "Ain't That a Lotta Love" (Willia Dean "Deanie" Parker, Homer Banks) – 2:16 Lead vocal: Wells. "King Solomon's Mines" (Floyd Sneed) – 2:29 Instrumental, dominated by percussion tracks performed by Sneed.
A power chord Play ⓘ, also called a fifth chord, is a colloquial name for a chord on guitar, especially on electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with intentionally added distortion or overdrive effects.
An illustration shows this C7 voicing (C, E, G, B ♭), which would be extremely difficult to play in standard tuning, [30] besides the openly voiced C7-chord that is conventional in standard tuning: [30] This open-position C7 chord is termed a second-inversion C7 drop 2 chord (C, G, B ♭, E), because the second-highest note (C) in the second ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.