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The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
Original work Original artist Second song Second artist Result Ref. 1965 "Ask Any Girl" The Supremes "1-2-3" (1965) Len Barry: 15% of the song's writing and publishing royalties [1] 1966 "It's a Man's World (But What Would He Do Without a Woman)" Betty Jean Newsome "It's a Man's Man's Man's World" (1966) James Brown
"Guilty" is a popular song published in 1931. The music was written by Richard A. Whiting and Harry Akst. The lyrics were written by Gus Kahn. Popular recordings in 1931 were by Ruth Etting, Wayne King and by Russ Columbo. [1] The song was later popularized by Margaret Whiting (Richard Whiting's daughter) and by Johnny Desmond in 1946.
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
"Albert Was Worse Than Any Fish In The Sea" – Macabre "Document: Grace Budd" – The Number Twelve Looks Like You "Fish" - Tyler, the Creator "Fishtales" – Macabre "The Gray Man (Albert Fish)" – Church of Misery "Human Consumption" - Necro "Instruments of Hell" – Exhumed [23] "Letter to Mother" - Divine Heresy
The group reportedly auditioned the song for famed record producer Bobby Robinson while he was sick in bed, but he rejected them, stating the song "wasn't commercial enough". [5] When the Chords recorded their debut single for Cat Records, a cover of Patti Page 's " Cross Over the Bridge ", the label reluctantly allowed them to record "Sh-Boom ...
"Mississippi" is a medium-tempo country-rock song by the American singer-songwriter Bob Dylan that appears as the second track on his 2001 album Love and Theft. The song was originally recorded during the Time Out of Mind sessions (demo sessions in Fall 1996; official album sessions in January 1997), but was ultimately left off the album.
The song's lyric video features a panning view of Jackson Hole with lyrics written over it, visually resembling the official cover art for the album and the lyrics were written out in the same font used for the cover art. [19] West used simplicity to not embellish more than he needs to. [28]