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Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
Ludwig van Beethoven's String Quartet No. 10 in E-flat major, Op. 74, was written in 1809 and is nicknamed the "Harp" quartet.. The nickname "Harp" refers to the characteristic pizzicato sections in the allegro of the first movement, where pairs of members of the quartet alternate notes in an arpeggio, reminiscent of the plucking of a harp.
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
The Variations in E-flat major piano trio, Op. 44, by Ludwig van Beethoven, is a series of fourteen variations on a theme, written for piano, violin and cello. Although this may be one of Beethoven's early works (written circa 1792, i.e., at around age 22) it was assigned its opus number when it was published by Hoffmeister in Leipzig, more than a decade after Beethoven began writing it.
Arpeggios open Beethoven's Moonlight Sonata and continue as accompaniment. An arpeggio (Italian: [arˈpeddʒo]) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords.
Sonata No. 6 in E-flat major (J. C. F. Bach) Souvenir d'un lieu cher; The Stars and Stripes Forever; State Anthem of Bashkortostan; String Quartet (Manrique de Lara) String Quartet in E-flat major (1823; Mendelssohn) String Quartet in E-flat major (Sibelius) String Quartet in E-flat major (Wanhal) String Quartet No. 1 (Enescu)
Étude Op. 10, No. 6, in E ♭ minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was preceded by the relative key. It was preceded by the relative key. It was first published in 1833 in France, [ 1 ] Germany, [ 2 ] and England [ 3 ] as the sixth piece of his Études, Op. 10 .
The Piano Trio, WoO 38, in E-flat major is a composition for piano trio by Ludwig van Beethoven, that was discovered amongst Beethoven's papers following his death. [1] It is believed to have been composed in either 1790 or 1791. [2]