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David Mann (() September 10, 1940 — () September 11, 2004) [2] was a California graphic artist whose paintings celebrated biker culture, and choppers.Called "the biker world's artist-in-residence," [5] his images are ubiquitous in biker clubhouses and garages, on motorcycle gas tanks, tattoos, and on T-shirts and other memorabilia associated with biker culture.
The painting depicts a group of clergy noticing a 1948 Harley-Davidson FL panhead while walking in St. Peter's Square [7] and is now part of the Vatican's art collection. The image is also sold as a commemorative postcard with a Pope Francis stamp. The Vatican Post Office designed a mark for the postcard based on Uhl's painting. [9]
Jacobs began painting and displaying his work in his own galleries under the assumed name Escotete. In 1993, a short time after painting two pieces ,"Fat Boy” and “Live to Ride", which featured Harley-Davidson motorcycles. Jacobs' work was seen by the motorcycle manufacturer.
Indian Larry (born Lawrence DeSmedt; April 28, 1949 – August 30, 2004) was an American motorcycle builder and artist, stunt rider, and biker. He first became known as Indian Larry in the 1980s when he was riding the streets of New York City on a chopped Indian motorcycle.
The Art of the Motorcycle was an exhibition that presented 114 [8] motorcycles chosen for their historic importance or design excellence [9] in a display designed by Frank Gehry in the curved rotunda of the Frank Lloyd Wright-designed Solomon R. Guggenheim Museum in New York City, running for three months in late 1998.
Josef Jackerson (born 1936), Russian and Israeli painter; A. B. Jackson (died 1981), American painter; Francis Ernest Jackson (1872–1945), English painter, draftsman and poster designer
The image was used for an advertisement for the Indian motorcycle company, date unknown. Licensing This is a faithful photographic reproduction of a two-dimensional, public domain work of art.
Zacharevic creates oil paintings, installations, sculptures and stencil and spray paint to produce culturally relevant compositions both inside gallery space and in the arena of public art and walls [1] His interest in the outdoor pieces is in the interaction between murals and the urban landscape, with concepts arising as part of a spontaneous response to the environment. [2]
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