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The Death of Stalin is a 2017 political satire black comedy film written and directed by Armando Iannucci and co-written by David Schneider and Ian Martin with Peter Fellows. . Based on the French graphic novel La Mort de Staline (2010–2012), the film depicts the internal social and political power struggle among the members of the Soviet Politburo following the death of leader Joseph Stalin ...
Red Monarch is a black comedy based on The Red Monarch: Scenes from the Life of Stalin, a collection of short critical essays by the Russian dissident and former KGB agent Yuri Krotkov. The film depicts Soviet politics and the interplay between Stalin and his lieutenants, particularly Beria, during the last years
In 1953 the lonely Ivan is visited by Katya, now an attractive teenager, who treasures the memory of Anastasia's affection. Ivan offers help, but she says she wants to go her own way. Following Stalin's death, Ivan, while on crowd control duty to masses waiting to view the corpse, sees Katya being jostled in the crush. He rushes in to rescue ...
After Stalin's death some scenes and frames were censored (for example, Stalin's statue at VDNKh, Molotov's reference in his government telegram). [7]The full version of the film was shown in the early 1990s, in the program Kinopravda? on Channel One Russia, and in 2002 on the centenary of the birth of Lyubov Orlova, on Russia-1 the complete version of the film was shown, but with ...
This page was last edited on 14 October 2024, at 19:23 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Children of the Revolution is a 1996 Australian black comedy film, depicting Joseph Stalin and his son's somewhat deterministic path into The Revolution in modern-day Australia. It stars Richard Roxburgh, Judy Davis, Geoffrey Rush, Sam Neill, and F. Murray Abraham as Joseph Stalin.
A Serious Man is a 2009 black comedy-drama film [3] written, produced, edited and directed by Joel and Ethan Coen.Set in 1967, [4] the film stars Michael Stuhlbarg as a Minnesotan Jewish man whose life crumbles both professionally and personally, leading him to questions about his faith.
In an early scene, the general encounters his own double in the hospital, and later, a "foreigner" arrives at his home, bearing news about a relative who allegedly lives abroad. Suspecting a provocation, Klensky throws the "foreigner" down the stairs, but a local informant manages to report the doctor's contact with foreigners to the senior ...
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