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Mark Felton (born 1974) is an English author, historian and YouTuber.Felton has written over a dozen non-fiction books. He runs several channels on YouTube covering different historical subjects of the 20th and 21st century, mainly related to World War I, World War II, and the Cold War.
Amitav Acharya (born 1962) is a scholar and author, who is Distinguished Professor of International Relations at American University, Washington, D.C., where he holds the UNESCO Chair in Transnational Challenges and Governance at the School of International Service, and serves as the chair of the ASEAN Studies Initiative. [1]
Beat, Beat, Beat (1959) by William F. Brown. Beatniks were members of a social movement in the mid-20th century, who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting.
Berlin argues that, while there were opponents of the Enlightenment outside of Germany (e.g. Joseph de Maistre) and before the 1770s (e.g. Giambattista Vico), Counter-Enlightenment thought did not take hold until the Germans "rebelled against the dead hand of France in the realms of culture, art and philosophy, and avenged themselves by ...
Additionally, some forms of anti-art reject art entirely, or reject the idea that art is a separate realm or specialization. [10] Anti-artworks may also reject art based upon a consideration of art as being oppressive of a segment of the population.
[13] [14] [15] South African judge Edwin Cameron notes that a common tactic used by denialists is to "make great play of the inescapable indeterminacy of figures and statistics". [15] Historian Taner Akçam states that denialism is commonly believed to be negation of facts, but in fact "it is in that nebulous territory between facts and truth ...
History is a social resource that contributes to shaping national identity, culture, and the public memory. Through the study of history, people are imbued with a particular cultural identity; therefore, by negatively revising history, the negationist can craft a specific, ideological identity.
Recent efforts, such as an online exhibit organized by the Block Museum at Northwestern University (which includes a clickable map of the Wall's individual portraits), [13] and the edited volume, The Wall of Respect: Public Art and Black Liberation in 1960s Chicago (Northwestern University Press, 2017), aim to recover the Wall's history and ...