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Poetic justice, also called poetic irony, is a literary device with which ultimately virtue is rewarded and misdeeds are punished. In modern literature, [ 1 ] it is often accompanied by an ironic twist of fate related to the character's own action, hence the name "poetic irony".
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. [1]
'Irony' comes from the Greek eironeia (εἰρωνεία) and dates back to the 5th century BCE.This term itself was coined in reference to a stock-character from Old Comedy (such as that of Aristophanes) known as the eiron, who dissimulates and affects less intelligence than he has—and so ultimately triumphs over his opposite, the alazon, a vain-glorious braggart.
Her mature novels employ irony to foreground social hypocrisy. [11] In particular Austen uses irony to critique the marriage market. [12] Perhaps the most famous example of irony in Austen is the opening line of Pride and Prejudice: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a ...
Stories in this genre focused solely on using pop culture references. Postmodern; Realist: works that are set in a time and place that are true to life (i.e. that could actually happen in the real world), abiding by real-world laws of nature. They depict real people, places, and stories to be as truthful as possible. [1] Hysterical
Irony – Creating a trope through implying the opposite of the standard meaning, such as describing a bad situation as "good times". Litotes – A figure of speech and form of verbal irony in which understatement is used to emphasize a point by stating a negative to further affirm a positive, often incorporating double negatives for effect.
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
In "A Very Short Novel" he examines the infidelity of a woman to a crippled hero. The story displays Garshin's talent for concentration and lyrical irony. "That Which Was Not" and "Attalea Princeps" are fables with animals and plants in human situations. The second of these stories has a sense of tragic irony. [7]