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The ode begins with a priamel, where the rival distinctions of water and gold are introduced as a foil to the true prize, the celebration of victory in song. [7] Ring-composed, [8] Pindar returns in the final lines to the mutual dependency of victory and poetry, where "song needs deeds to celebrate, and success needs songs to make the areta last". [9]
Hiero, tyrant of Syracuse, had been the recipient of Pindar's First Olympian Ode in 476 BC. His victory in the Pythian games comes in the wake of a number of significant military accomplishments: his defeat of the Carthaginians at the Battle of Himera and of the Etruscans in the naval Battle of Cumae. [2] Both events are alluded to in the poem. [3]
Praise of the trainer, Melesias of Athens (53–66). [3] The victor's triumph will rejoice the heart of his grandfather (67–73); six victories have already been won by the family (74–76). [ 3 ] The message sending news of this victory will reach his father and his uncle in the other world (77–84). [ 3 ]
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The third Olympian celebrates the same victory as the second (that of 476), but, while the former Ode was probably sung in the palace of Theron, the present was performed in the temple of the Dioscuri at Acragas, on the occasion of the festival of the Theoxenia, when the gods were deemed to be entertained by Castor and Polydeuces. [1]
The tyrant of Himera appealed to his son-in-law Anaxilas, tyrant of Rhegium, who called in the aid of the Carthaginians, whom Theron and his son-in-law, Gelon of Syracuse, defeated at Himera in 480. [1] In 476 Theron won the chariot-race at Olympia, which is celebrated in this ode. [1] The date is recorded in the Oxyrhynchus papyrus. [2] [1]
The Ode was probably in honour of a victory in the chariot-race in 452, a victory not of a tyrant, but of a free citizen. [1] Under the above date the List of Olympian victors in the Oxyrhynchus papyrus places σαμιου καμ [αρινου τεθριππον], where σαμιου is possibly a mistake for Ψαυμιδος.
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