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The Birth of Tragedy Out of the Spirit of Music (German: Die Geburt der Tragödie aus dem Geiste der Musik) is an 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as The Birth of Tragedy, Or: Hellenism and Pessimism ( German : Die Geburt der Tragödie, Oder: Griechentum und Pessimismus ).
The term pessimism derives from the Latin word pessimus, meaning 'the worst'.It was first used by Jesuit critics of Voltaire's 1759 novel Candide, ou l'Optimisme.Voltaire was satirizing the philosophy of Leibniz who maintained that this was the 'best (optimum) of all possible worlds'.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The word pessimism comes from Latin pessimus, meaning "the worst".The term "optimism" was first used to name Lebnitz's thesis that we live in "the best of all possible worlds"; and "pessimism" was coined to name the opposing view.
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
Riemannian theory, in general, refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, [ 1 ] notation, [ 2 ] harmony, [ 3 ] melody, [ 4 ] phraseology, [ 5 ] the history of music theory, [ 6 ] etc.
Defensive pessimism is a cognitive strategy in which an individual sets a low expectation for their performance, regardless of how well they have done in the past. Individuals use defensive pessimism as a strategy to prepare for anxiety-provoking events or performances.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...