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Not all Rise Against songs discuss controversial topics. More personal stories about broken relationships and forgiveness are common lyrical themes, as is the concept of self-reflection. [178] [180] The Unraveling is an early example of this style of songwriting, as the majority of the album's songs focus on friendships and memories. [11]
"The Violence" is a song by American rock band Rise Against.The song was released on April 20, 2017 as the lead single from their eighth studio album, Wolves. Inspired by the 2016 United States presidential election cycle, "The Violence" contains lyrics described by vocalist Tim McIlrath as being about "whether violence is an inevitability of the human condition, or whether it's a choice we ...
The music video features an eight-year-old boy who resembles George W. Bush playing with a miniature world, and throughout the video the boy plays with objects depicting high gas prices, the war in Iraq, the funeral of a soldier, Abu Ghraib prison, the devastation of Hurricane Katrina, deforestation, house foreclosures, gay marriage, and illegal immigration before going to bed in the White House.
In contrast to the social and political topics normally discussed in Rise Against songs, "Savior" is about forgiveness and broken relationships. It is a punk rock song, with a "frenetic pace" that John Hanson of Sputnikmusic described as reminiscent of tracks from the band's 2003 album Revolutions per Minute . [ 3 ]
In the video, Rise Against performs inside a retail store. The camera intermittently zooms in on products, such as shoes and toy cars, before zooming out to foreign workers and children making the products. [13] Near the end of the video, the workers place Made in USA stickers on packaged boxes, while the band members destroys items in the store.
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Appeal to Reason is the fifth studio album by American punk rock band Rise Against.It was released on October 7, 2008. A melodic hardcore album, Appeal to Reason marked a musical shift from the gritty hardcore punk sound that had previously defined the band's career to what some have viewed as a more radio-friendly sound, with greater emphasis on production and bigger, more anthemic choruses.