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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations ...
Glossary of music terminology; Glossary of Schenkerian analysis; List of classical music genres; Outline of music * List of pitch intervals; List of Turkish makams;
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
For generic names of compositions the formatting of the key signature is as described in Wikipedia:Manual of Style/Music#Accidentals, however avoid (♭, ♯) in article titles. As a disambiguating term, key signatures can only be used in natural disambiguation , so they're never enclosed in parentheses, nor after a comma.
The Bach-Werke-Verzeichnis (BWV; lit. ' Bach works catalogue '; German: [ˈbax ˈvɛrkə fɛrˈtsaeçnɪs]) is a catalogue of compositions by Johann Sebastian Bach.It was first published in 1950, edited by Wolfgang Schmieder.
This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore ...