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Philip Adrian Ewell [1] (born February 16, 1966) is an American professor of music theory at Hunter College and the CUNY Graduate Center.He specializes in Russian and twentieth century music, as well as rap and hip hop.
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
This is a list of set classes, by Forte number. [1] A set class (an abbreviation of pitch-class-set class) in music theory is an ascending collection of pitch classes, transposed to begin at zero. For a list of ordered collections, see: list of tone rows and series. Sets are listed with links to their complements. The prime form of ...
Musical set theory provides concepts for categorizing musical objects and describing their relationships. Howard Hanson first elaborated many of the concepts for analyzing tonal music. [2] Other theorists, such as Allen Forte, further developed the theory for analyzing atonal music, [3] drawing on the twelve-tone theory of Milton Babbitt.
Expand coverage of music theory topics in Wikipedia. Establish a basic set of guidelines for music theory articles. Recruit Wikipedians into the music theory project. Scope The scope of this WikiProject includes: The mechanics of music and how music works. Elements of music such as melody, harmony, rhythm, pitch, texture, etc.
Pages in category "C-Class Music theory articles" The following 200 pages are in this category, out of approximately 232 total. This list may not reflect recent changes .
Talk:List of music theorists; Talk:List of musical scales and modes; Talk:List of people with absolute pitch; Talk:List of pieces that use the whole-tone scale; Talk:List of pipe organ stops; Talk:List of pitch intervals; Talk:List of popular music songs featuring Andalusian cadences; Talk:List of set classes
The show has received generally very positive reviews, with acclaim from many leading media outlets. In a review for The New Yorker, music critic Alex Ross (music critic) praised Switched On Pop saying “the show’s hosts deliver charmingly rigorous dissections of Taylor Swift and Weeknd songs, slipping in a fair amount of music history and theory."