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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
His personal style was a continuation of the native Baroque, but he adopted a light and luminous color palette, and built lively, agile forms full of grace and movement, which place him perfectly in the orbit of the Rococo, although his tone is always elevated, if not apotheotic, and his theme always either sacred or glorifying.
In the mid-nineteenth century, the term rococo referred to a style recalling the ornament and design aesthetics of the Louis XV style and early Louis XVI style. [2] The period between 1715-1745, encompassing the reign of Louis XV, is generally accepted as the high point of the Rococo style in French art. A Rocaille ornament in Caen (France)
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
Baroque – 1600 – 1730, began in Rome . Dutch Golden Age painting – 1585 – 1702; Flemish Baroque painting – 1585 – 1700; Caravaggisti – 1590 – 1650; Rococo – 1720 – 1780, began in France
The middle of the 18th century saw a turn to Neoclassicism in France, that is to say a conscious use of Greek and Roman forms and iconography. In painting, the greatest representative of this style is Jacques-Louis David who, mirroring the profiles of Greek vases, emphasized the use of the profile; his subject matter often involved classical ...
During the Rococo period, architects adapted these classical templates to include asymmetrical forms, whimsical curves, and bright colors, creating more dynamic and engaging designs. While some architectural historians may consider the Rococo period as a continuation of the late Baroque style, it is predominantly recognized as a distinct ...
Marquise de Pompadour (mistress of King Louis XV), whose name became synonymous with Rococo art, was a great admirer of his work. [10] Marquise de Pompadour is often referred to as the "godmother of Rococo" [ 10 ] and Boucher's portraits were central to her self-presentation and cultivation of her image.