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The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
Fangsong (or Imitation Song) is a style of typeface for Chinese characters modeled after that used in Lin'an during the Southern Song dynasty. Fangsong is a type of regular script typeface, and the standard used in official documents produced by the Chinese government, [ 1 ] and civil drawings in both China and Taiwan.
Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese, Japanese and Korean languages. They are currently the most common style of type in print for Chinese and Japanese. For Japanese and Korean text, they are commonly called Mincho and Myeongjo typefaces respectively.
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"Alphabet" is a mid-tempo disco song, arranged by Charly Ricanek and Anthony Monn, and is largely based on the melody from Johann Sebastian Bach's Prelude and Fugue in C major, BWV 846. Autobiographical lyrics were written by Amanda Lear and include her personal associations with each letter of the alphabet recited over the music.
Computer input of Chinese characters is by no means as easy as English. English is written with 26 letters and a handful of other characters, and each character is assigned to a key on the keyboard. Chinese can be input in a similar way. However that would involve a huge keyboard with at least thousands of keys.
A key feature of the fingerspelling is the treatment of pinyin ZH, CH, SH and NG as single fingerspelling signs, rather than sequences of two letter signs, as would be expected from the pinyin; this reflects the phonemic status of these oral sounds in Standard Chinese phonology. [9] The Chinese culture and language heavily influence signs in CSL.
This type of music typically employs Chinese national vocal (minzu) vocals, with content focused on reflecting national history and culture or promoting the "main melody" — praising the Chinese Communist Party, the minzu, and the People's Liberation Army. Representative singers include Song Zuying, Peng Liyuan, Wang Hongwei. [1] [2]