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Caroline Amalie of Augustenburg wears a green pinafore dress over a white blouse or a chemise with a ruffled collar. A wide brimmed straw hat protects her face from the sun. Mademoiselle Gonin wears a dark dress with small puffed sleeves, with a ruffled collar and a blue plaid ribbon at the neck. Her hair is styled into small curls at her temples.
Chan's dress was designed by Christopher Kane for Self-Portrait. Much of the long-sleeve, floor-length dress was made of a semi-sheer, white mesh, contrasted by architectural ruffle patches that ...
Susanna Huygens wore a long, tight white satin bodice with paned sleeves lined in pink and a matching petticoat. Her hair is worn in a mass of tight curls, and she wears pearl eardrops and a pearl necklace, 1667–69. Portrait of Barbara Villiers, mistress of King Charles II, painted by John Michael Wright, c. 1670 in the romantic style.
Self-portrait: Hyacinthe Rigaud: 1716 1857 Self-portrait: Giovanna Fratellini: 1720 2064 Self-portrait: Violante Beatrice Siries: 1750s Self-portrait: Duchess Maria Antonia of Bavaria: 1750s 2065 Self-Portrait in the Traditional Costume of the Bregenz Forest, Seated at her Easel: Angelica Kauffman: 1757 4444 Self-portrait: Anton Raphael Mengs ...
Comte d'Angiviller wears a rose-coloured coat with a fur lining over a flowered white satin waistcoat with gold braid or embroidery. His shirt has a lace frill down the front. French fashion emphasizes rich fabrics over cut and tailoring, c. 1763. Portrait of Lord Wodehouse wearing a deep blue coat, waistcoat and breeches, 1764.
Standing woman in a white dress with leg o'mutton sleeves. By René Schützenberger, 1895.. Fashionable women's clothing styles shed some of the extravagances of previous decades (so that skirts were neither crinolined as in the 1850s, nor protrudingly bustled in back as in the late 1860s and mid-1880s, nor tight as in the late 1870s), but corseting continued unmitigated, or even slightly ...
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