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Los disparates (The Follies), also known as Proverbios or Sueños , is a series of prints in etching and aquatint, with retouching in drypoint and engraving, created by Spanish painter and printmaker Francisco Goya between 1815 and 1823.
Los 80 is a Chilean drama TV series for Canal 13 produced to celebrate the Bicentennial of Chile, [1] starring Daniel Muñoz, Tamara Acosta, Daniel Alcaíno, Loreto Aravena, Tomás Verdejo and Lucas Escobar. Although it is clearly inspired by the Spanish series Cuéntame cómo pasó, [2] focusing on the events in Chile, [3] it is not an ...
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Los Sueños (Dreams or Visions) is a satirical prose work by the Spanish Baroque writer Francisco de Quevedo.Written between 1605 and 1622, it was first published in Barcelona in 1627 under the title Sueños y discursos de verdades descubridoras de abusos, vicios y engaños en todos los oficios del mundo ("Dreams and discourses on truths revealing abuses, vices and deceptions in all the ...
In his Historia de la Literatura Argentina, Ricardo Rojas gave this group its name in a secondary manner, since the group that would be called the Generation of '80 was called "Los Modernos." The first author to group the authors of this era together with the name "Generation of '80" was Arturo Giménez Pastor, in a work titled Los del 80.
Sueños y Pesadillas del Tercer Mundo is the debut album of The Dominican rock group, Toque Profundo. The album was released independently with only the band's members financial help. The album helped them reach the top of mainstream rock in the Dominican Republic and was deemed a total success.
Tropiezos y trapecios (November 26, 1989) Las genialidades del genio ingenioso (December 3, 1989) La aventura del montgolfo (December 10, 1989) ¡Menudo equipo! (December 17, 1989) Ladrones Navideños (December 24, 1989) El gigante bondadoso (December 31, 1989) El gas bailarin (January 7, 1990) La merienda del lobo (January 14, 1990)
The Billboard Hot 100 is the main song chart of the American music industry and is updated every week by the Billboard magazine. During the 1980s the chart was based collectively on each single's weekly physical sales figures and airplay on American radio stations.