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Let Me Be the One is a single by Exposé, released on May 15, 1987. It was written and produced by Lewis Martineé and appears on their debut album, Exposure . The lead vocals on the song were performed by Gioia Bruno .
"Let Me Be the One" is a relatively short song, with a run time of 2:25. The earliest evident recording of "Let Me Be the One" was by Nanette Workman, being one of five songs recorded with producer Tommy Cogbill recorded in late June 1970 at American Sound Studio in Memphis, with "Let Me Be the One" being afforded a UK single release in November 1970 with the singer credited mononymously as ...
"Let Me Be the One" was the United Kingdom's entry in the Eurovision Song Contest 1975, written by Paul Curtis and performed in English by the band The Shadows. The song was performed ninth that night. At the close of voting, it had received 138 points, placing it 2nd out of 19.
"Let Me Be the One" (Exposé song), 1987 "Let Me Be the One" (Five Star song), 1985 "Let Me Be the One" (Hank Locklin song), 1953 "Let Me Be the One" (The Shadows song), 1975 "Let Me Be the One" (Sasha song), 2000 "Let Me Be the One", a song by Blessid Union of Souls from Home "Let Me Be the One", a song by Kevin Costner & Modern West "Let Me ...
However, it wasn't until 1953 when he finally broke through to the top of the chart with "Let Me Be the One." While sustained success didn't come until the mid-1950s, "Let Me Be the One" paved the way for Locklin's future successes at the Decca and RCA recording labels, where he became associated with such songs as " Why Baby Why ," "Geisha ...
"Let Me Be The One" is the name of a 1985 hit single by British pop group Five Star, and was the fourth release from their debut album Luxury of Life, released in the summer of 1985. "Let Me Be The One" was the group's second UK Top 20 single of the year, reaching #18. [ 1 ]
It consists of two IV chord progressions, the second a whole step lower (A–E–G–D = I–V in A and I–V in G), giving it a sort of harmonic drive. There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay").
In most genres of popular music, including jazz, pop, and rock, a chord name and its corresponding symbol typically indicate one or more of the following: the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major ...