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Andrews, H. K. 2001. "Whole-Tone Scale". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. Antokoletz, Elliott. 1984. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Berkeley and Los Angeles: University of California Press.
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
Minor tone (10:9) Play ⓘ. In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (Play ⓘ).A second is a musical interval encompassing two adjacent staff positions (see Interval number for more details).
Indian classical music uses a moveable seven-note scale. Indian Rāgas often use intervals smaller than a semitone. [16] Turkish music Turkish makams and Arabic music maqamat may use quarter tone intervals. [17] [page needed] In both rāgas and maqamat, the distance between a note and an inflection (e.g., śruti) of that same note may be less ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The added passing tone creates an eight-note scale that fits rhythmically evenly within a 4 4 measure of 8 eighth notes, thus making it useful in practicing. When an eighth note bebop scale run starts on the beat from a chord tone (i.e. the root, third, fifth or seventh) the other chord notes will also
The whole-tone and octatonic scales have enjoyed quite widespread use since the turn of the 20th century, particularly by Debussy (the whole-tone scale) and Stravinsky (the octatonic scale). The symmetry inherent in these modes (which means no note can be perceived as the tonic ), together with certain rhythmic devices, Messiaen described as ...