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Known as Chinese export paintings, the trade thrived throughout the Qing dynasty. In the late 19th and 20th centuries, Chinese painters were increasingly exposed to Western art. Some artists who studied in Europe rejected Chinese painting; others tried to combine the best of both traditions.
Under efforts of masters from this school, traditional Chinese art reached another climax and continued to the present in forms of Chinese painting (中國畫), or guohua (國畫) for short. The Shanghai School challenged and broke the literati tradition of Chinese art, while also paying technical homage to the ancient masters and improving on ...
Circular Gallery inside museum Its permanent collection includes both ancient and contemporary Chinese artworks as well as notable Western artworks. Although the museum contains collection of imperial Chinese art, its main mission is to serve as a national level art museum dedicated to displaying, collecting and researching the modern and ...
The Bishop White Gallery of Chinese Temple Art [1] is one of four galleries in the Royal Ontario Museum (ROM) that are dedicated to Chinese art and archaeology. It contains one of the most important collections of Chinese temple art in the world, [2] including three Yuan Dynasty (1271 – 1368 AD) temple wall paintings from Shanxi Province that adorn the three walls of the Gallery, and several ...
Shan shui (Chinese: 山 水; pinyin: shān shuǐ; lit. 'mountain-water'; pronounced [ʂán ʂwèɪ]) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of shan shui paintings.
The earliest mention of the word chungong is found in the Chu Ci, but the word only began to mean erotic paintings from the Song dynasty. [7] [3]The first known record of the tradition of erotic art, however, dates back to 2nd century B.C. Chen ping of the Han Dynasty, and Guangchuanwang were said to have enjoyed drawing erotic art.
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