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The first Red Ones were outfitted with the 12 megapixel Mysterium sensor, capable of capturing up to 120 frames per second at 2K resolution and 30 frames per second at 4K resolution. [3] The only possible acquisition format is Redcode Raw. The cameras were initially sold with a CF card slot that later could be replaced with a RedMag module.
In 2021, Red announced the Red V-Raptor camera, the current flagship model in Red's lineup of cameras, and the first camera that officially belongs to the DSMC3 family of cameras. Like the Komodo, the Red V-Raptor also has an active Canon RF lens mount, but unlike the Komodo, the V-Raptor is capable of multi-format recording.
Philippine New Wave (known as Filipino New Wave or Contemporary Philippine Cinema) is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema.
It houses more than 13,000 contemporary volumes on Philippine history, art, language, religion, and the social sciences, and more than 2,000 uncommon titles, maps, and photographs. Additional features of this library include the digitization of its collection, CD-ROM publishing, development of web pages, and electronic databases. [ 22 ]
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The Legislative Building during the 1930s. The building was originally designed by the Bureau of Public Works (precursor of the Department of Public Works and Highways) Consulting Architect Ralph Harrington Doane [4] and Antonio Toledo in 1918, and was intended to be the future home of the National Library of the Philippines, according to the Plan of Manila of Daniel H. Burnham. [5]
Shamans and their practices continue in some parts of the Philippines. [205] The art of constellation and cosmic reading and interpretation is a fundamental tradition among all Filipino ethnic groups, and the stars are used to interpret for communities to conduct farming, fishing, festivities, and other important activities.
This insect, generally mistaken for a plant, was known in the Roman world as grani coccum = "the grain of scarlet." [21] While production of the crimson or scarlet dye from the kermes scale insect had, traditionally, been an art preserved with medieval dyers, the practice seemed to have been lost for many centuries. [22]